1 Single Night Train Available on VOD Today Nashville October 8, 2013 Fans of country superstar Jason Aldean can catch the television premiere of his concert special, NIGHT TRAIN TO GEORGIA, on Saturday, October 19 at 2 p.m. ET/PT on CMT, immediately following CMT HOT 20 COUNTDOWN. Starting today, fans can catch a concert clip of Aldeans current No. 1 single, Night Train, on video on demand, or watch on CMT and CMT.com. The special premiere will be promoted across all of CMTs digital platforms, including CMT.com, CMT Pure, CMT Mobile, CMT Radio Networks and to the networks more than 6 million social media fans. CMT will give away five signed DVDs of NIGHT TRAIN TO GEORGIA, released October 15, to lucky fans on Twitter. Once a day, from October 14-18, CMT will ask its followers, What video of Jasons did you see today in the 9 a.m. ET/PT hour? Five random winners will be chosen from those who responded correctly. Fans must follow @CMT for their chance to win. Filmed in April, NIGHT TRAIN TO GEORGIA features Aldean as he performs to a sold out crowd of more than 66,000 at the University of Georgia. NIGHT TRAIN TO GEORGIA made history as it was the first concert to be held between the hedges of Sanford Stadium. Palladia will also air the 30-minute special on Sunday, October 20 at 9 p.m. ET/PT. JASON ALDEAN: NIGHT TRAIN TO GEORGIA will re-air on CMT at the following times: 9:00 a.m., ET/PT on Sunday, October 20 2:00 p.m., ET/PT on Sunday, October 20 10:00 a.m., ET/PT on Friday, October 25 6:00 a.m., ET/PT on Saturday, October 26 Aldean, a current CMA Entertainer of the Year nominee, has sold more than 8.5 million records and notched 12 No. 1 singles. His fifth album, Night Train, is certified platinum and includes singles Take A Little Ride, The Only Way I Know, “1994” and the title track. Aldean has become one of the biggest live touring acts in the nation, known for his high-intensity, unbridled performances, shows that sell out in just minutes and for smashing dozens of all-time venue attendance records. Aldean is currently on his 2013 Night Train Tour that has played to sold-out stadiums at Fenway Park, Wrigley Field and the University of Georgia’s Sanford Stadium. A TackleBox Films production, NIGHT TRAIN TO GEORGIA was produced by Shaun Silva, Ivan Dudensky and Don Lepore. Follow TV by the Numbers on Twitter , Facebook , Tumblr or RSS for all the latest.
19 will bring the comedy-based Festival Supreme, assembled by Jack Black and his mock-rock band Tenacious D. The shows are part of what pier official Jay Farrand called “a larger effort to get people to take a second look at the pier to think of it not just as somewhere you take Grandma from Kansas.” But for Frank and Fleischmann whose respective companies, Spaceland and Rum & Humble, put on concerts at the Echo and the Hollywood Bowl, among other spots the activity also reflects their desire to establish a new home for music on the Westside, where a dearth of large and mid-sized venues intensified with the closing this summer of the Santa Monica Civic Auditorium. PHOTOS: Unexpected musical collaborations “People here need a place where they can gather in large numbers for music,” said Fleischmann, who pointed to high rents and restrictive permitting as reasons the Westside generally lacks such spaces. The century-old Santa Monica Pier, an instantly identifiable but historically significant landmark, makes for a complex solution to that problem. Jay Sweet, who supervises the Newport Folk Festival, said the pier appealed to him for Way Over Yonder because it’s an “iconic place that’s not a traditional music venue” similar to Fort Adams State Park in Rhode Island, where Newport has taken place since 1959. “There’s an overall vibe there,” said Cliff’s manager, Ernie Gonzalez, who added that the pier attracts an audience more diverse than at other venues. “I went to a show recently at the Greek Theatre with an artist who’s been around for as long as Jimmy,” he said. “And it was kind of the obvious demographic. But at the pier it was all across the board.” Yet there are also structural limitations the stage for Way Over Yonder had to be designed according to load-bearing considerations and the long-established reluctance of arty Eastsiders to travel west. Brandon Lavoie, who until recently worked as a talent buyer at Santa Monica’s Central Social Aid and Pleasure Club, remembered “literally going to the Echo on Monday night and begging the opening band to come play a headlining slot on Friday.” Still, Frank and Fleischmann say that turnout at this summer’s Twilight shows along with strong advance ticket sales for Way Over Yonder suggest that the pier is meeting a need, one they hope to cultivate with even more concerts in 2014. Farrand said he hasn’t yet decided how many gigs is the right number for a location that, unlike a club or theater, caters to a varied clientele. “We have natural visitors to the restaurants and the amusement park, and we don’t want to alienate them,” he said. But so far he’s happy with his new partners’ work.